Flesh & Bones

  • Exhibition Statement

    Exhibition Statement

    Our society uses violent and sexually explicit messaging to sell products and political agendas. Advertisers, screenwriters, and politicians indiscriminately exploit war, terror, and sex for their own ends. All that is natural, beautiful, and intimate about the human body, sexuality, and the human condition is obscured by the hard-driving beat of surface illusion and manipulation that pervades our media and distorts our thinking. Yet, when artists, express the truth of human emotion, sexuality, or the horror of war, it is often labeled obscene by groups with a political or religious agenda. This exhibition is my reaction against this barrage that asks us to buy-in to whatever they're selling: jeans, Viagra, or the politics of war and power. I ask, "What does it mean to be human?"

  • Bodyscape  21 and Bodyscape 25

    Bodyscape 21 and Bodyscape 25

    Oil pigment on plaster on panel • 48 x 48

  • Bodyscapes 9 and  17

    Bodyscapes 9 and 17

    Oil pigment on plaster on panel • 48 x 48 each

  • Badyscapes 27 and 23

    Badyscapes 27 and 23

    Oil pigment on plaster on panel • 48 x 48 and 24 x 24

  • Bodyscapes 15 and  16

    Bodyscapes 15 and 16

    Oil pigment on plaster on panel • 48 x 48 each

  • Bodyscapes 8 and 12

    Bodyscapes 8 and 12

    Oil pigment on plaster on board • 48 x 48 and 24 x 24

  • Bodyscapes 6 and 10

    Bodyscapes 6 and 10

    Oil pigment on plaster on panel • 24 x 24 ieach

  • Collateral Damage

    Collateral Damage

    Plaster and oil pigments • Site specific sculpture

  • Collateral Damage

    Collateral Damage

  • Exhibition Statement
  • Bodyscape  21 and Bodyscape 25
  • Bodyscapes 9 and  17
  • Badyscapes 27 and 23
  • Bodyscapes 15 and  16
  • Bodyscapes 8 and 12
  • Bodyscapes 6 and 10
  • Collateral Damage
  • Collateral Damage